|
By Susan
Hickman
Slooow .
. . slooow .
. . quick
quick slooow
. . . And
again, five,
six, seven,
eight, slow,
slow,
squeeze
squeeze and
slow.
Marlene Nosé
squeezes her
thighs
together for
the quick
steps,
moving
easily into
the rhythm
of the
foxtrot. Her
husband Val,
across the
floor with
another
partner, is
focusing on
the smooth
slow steps,
the
satisfaction
of
achievement
on his face.
A
jazzy,
sensual
version of
The Girl
From Ipanema
is wafting
through the
mirrored
hall,
reflecting
the 20 or so
casual-elegant
couples
moving
carefully
through
their
ordered
steps.
“This is
great for
your legs,”
says Val,
following
the one-hour
group
foxtrot
lesson. “We
didn’t
realize the
exercise
benefits of
ballroom
dancing
until the
first time
we went
skiing,
about two or
three months
after we
started.”
Marlene
agrees. “You
have to keep
this posture
– abs, legs,
muscle
development
– you have
to focus.”
The Nosés,
he a
58-year-old
retired OPP
officer, she
a
55-year-old
program
manager at
Health
Canada, took
up ballroom
dancing
about a year
and a half
ago after
they saw the
2004 movie,
Shall We
Dance,
in which
Richard
Gere’s
character
takes up
ballroom
dancing with
a beautiful,
lonely
instructor
played by
Jennifer
Lopez.
“Marlene
dragged me
here after
the movie,”
says Val.
Interjects
Marlene, “I
took the
opportunity
the very
next day,
because Val
showed some
interest in
the movie.”
“I
thought I’d
meet
Jennifer
Lopez here,”
laughs Val.
“I just
followed
along to see
what it was
like. It
felt
strange,
awkward to
be doing
this. It’s
very
difficult
for a guy.
But I
thought,
‘Okay, I’ll
try it,’ and
it took
awhile to
develop the
confidence,
but now I
realize why
this is
fun.”
Marilisa
Granzotto,
co-owner of
the Arthur
Murray Dance
Studios in
Ottawa,
along with
husband
Steve
Martin, says
ballroom
dancing has
been
burgeoning
over the
past three
or four
years.
Dancing
Reality Show
Certainly,
movies like
Shall We
Dance
have been an
influence,
as have the
reality
dance shows
on
television:
Dancing
With the
Stars
connects
professional
dancers with
celebrities
to perform
ballroom and
Latin
American
dances under
the watchful
eyes of pro
judges and
viewers who
can phone in
and vote
couples off
the show.
The show
features
behind-the-scenes
footage of
training and
professional
dance
demonstrations.
So You
Think You
Can Dance,
a show that
scouts for
dancing
talent in
the United
States and
puts
contestants
through a
grueling
12-week
competition
to become
America’s
No. 1
dancer, is
into its
second
season.
“Ordinary
people
learning to
dance are
very
inspiring,”
suggests
Granzotto,
who has seen
ballroom
dancing go
through many
changes and
fashions
since she
began
running the
studio 15
years ago.
“It’s a
great form
of
exercise,”
she says.
“We have a
lot of
people come
in because
they don’t
like gyms,
or they
don’t like
aerobics, or
they want a
different
form of
exercise
that is fun.
One of our
students has
lost more
than 60
pounds over
the past
year, and we
have many
stories like
that.””
Granzotto
says
ballroom
dancing
attracts the
twenty-somethings
as well as
those in
their 70s
and 80s, but
the average
age of the
dancers is
between 30
and 60.
“It’s
easy on the
knees. You
have
low-impact
exercise in
the rumba,
and then you
have the
quickstep,
and the
Viennese
waltz, which
require a
lot of
energy.”
Marlene
has noticed
another side
effect of
ballroom
dancing,
other than
keeping her
in shape, is
that it
takes her
mind off her
job.
“It forces
you to be
present.
It’s good
for the
soul. And
for a woman
of my age,
it adds
glamour to
the
wardrobe.”
“It’s
like a
moment in
time,” adds
Val, “where
it’s so much
fun, that
the rest of
the world
doesn’t
exist. And
we’ve been
married 36
years. This
has given us
a renewed
sense of
interest,
something to
do
together.”
|